Monday, December 15, 2014

Victoria Lukas mix

There is a new mix by Victoria Lukas for which features three Zerkalo tracks, including one which is unreleased, 'The Lake'. It also features some other unreleased music by Lukas for an upcoming short film soundtrack as well as music from one of her other musical projects, Inkamera. It's a great mix and can be listened to here along with the original article.

She also has a new Tumblr website full of text, images, videos and links to her world. I'm also told that following on from their past releases with Visonia/Dopplereffekt and Inkamera, the Last Known Trajectory label will be adding a new Zerkalo 12" to their fine catalogue sometime in 2015. 

Thursday, November 27, 2014

Dopplereffekt live Hong Kong & interview

"Man is retrogressive in many aspects of his existence, namely social. War, famine, discrimination, etc. still exist in our world. So I do not see a very bright future for mankind at this point, there is much work needed to be done and more evolutionary stages have to be fulfilled."

There is a new Dopplereffekt interview with Heinrich Mueller and To-Nhan Le Thi at Boom magazine. It is to coincide with their appearance this Sunday at the Clockenflap festival in Hong Kong, China.

Tuesday, November 25, 2014

Unofficial Merchandise

I knew there has been some unofficial Drexciya merchandise such as T-shirts available in the last few years but I was surprised when I did some research and found you can also get hoodies, mugs, iPhone cases and even pillow cases with their name and logo on them as well. This merchandise I found from at least three different companies that use the same Drexciya logo from the Journey of the Deep Sea Dweller series and in one case the album title as well. I would have thought that either Clone, UR or Drexciya would have held the copyright for this and could stop anyone from using it but I'm not sure of the law in this regard or if it would be worth their while to pursue it (the sales might not be that significant).  One of the companies producing them is called Bees Knees Tees and they also produce T-shirts, mugs etc with the names and logos of a lot of other techno artists as well. On their Ebay listing they do say "Unless otherwise stated, all items are 100% unofficial, and are in no way endorsed by, or affiliated with any of the people/personalities or companies stated." As Drexciya are bigger now than ever I think its worth posting this perhaps obvious information here in case you might not be aware of this and think that a percentage of your money might be going to Drexciya or James Stinson's estate. One of the reasons for this of course is that there are no official Drexciya T-shirts or other merchandise available to my knowledge, perhaps this will change someday. As tempting as it is to have a Drexciya mug in my life, until then I think it would be far cooler and much more interesting to make our own individual Drexciya shirts etc  or designs by hand. They couldn't be any worse than the one I just made below.  It might also make a great Xmas present for that special Drexciya fan in your life too.

In case you missed it a few weeks back I got a nice surprise while reading a recent and very techie Aphex Twin interview at Noyzelab (very sadly both parts of the interview have since been removed for some mysterious reason) where he mentioned he would like to collaborate with Gerald Donald. Richard D. James has been a long-time fan of Drexciya and his label Rephlex were the first label after UR to licence material by them way back in 1994 with Drexciya 3 aka Molecular Enhancement 12". In later years they also put out albums by Transllusion, Dopplereffekt and Arpanet. Info on interview here.

Monday, November 10, 2014

Abdul Haqq - 25 Years of Techno Art

The first interview I did for DRL back in 2008 was with Abdul Haqq aka the Ancient (above second from left) who illustrated Drexciya's Neptune's Lair album. Haqq is a hidden but extremely central and very influential figure right at the heart of Detroit techno and its science fiction roots. He has also done artwork for Model 500, Derrick May, Underground Resistance and many many more.  As he has just released his 25 Years of Techno Art book I thought it might be a good time to revisit the interview again. Also one of my readers sent me a scan of a page from his book which includes an intriguing page called 'The House of Drexciya'. It features a photo of the house James Stinson lived in (they lived right around the corner from each other) while they were working on the artwork for the album. The page also includes a short and touching text about his experience working with Stinson as well as the album and Drexciya's legacy. The book also includes his illustrations of the 'Drexciyan Cruiser' and 'Warriors Returning' (both below) from NL. Details of his book can be found at his website here.

For my interview I was lucky that Haqq was willing to expand on the detail about his work on Neptune's Lair and his relationship with Stinson and Drexciya.  Quite recently Neptune's Lair was also reissued by Tresor. My original post on this subject can still be read here.

Q: How did your first professional involvement with Drexciya come about?
A: It was in the late 90's when James Stinson approached me with his Neptune's Lair concept. I think it was the summer of 99. It was going to be the first Drexciyan concept album.

Q: Did you know them socially already or only when the first project with them arose?
A: I knew James Stinson in passing from being at Submerge often. Gerald Donald I knew of even less.

Q: Did they have specific ideas for you, just give you the title and track listings or completely leave it up to you?
A: James Stinson had very specific ideas about Neptune's Lair. He had their whole underwater world and civilization thought out in his head. He gave me very detailed descriptions and then we worked together on the Drexciyan Warrior and Cruiser.

Q: Did you feel any connection or kinship with their dedicated approach to music, the enigmatic presentation of their image and the imaginary world they created with their words and music with the way you work?
A: I felt a very deep kinship with James. He was brilliant when it came to science fiction and that's always been my favourite subject matter. When we thought out the concepts of the album together it was very natural for me. I think we worked well together.

Q: Did everything you submitted for Neptune's Lair make the finished artwork or was there things you would have liked to have seen added?
A: Yes. We pretty much thought out everything together. There wasn't anything extra that I did that didn't go on the album.

Q: Was there any other work you would have done for them, outside of Neptune's Lair, which people might not be aware of?
A: After the death of James Stinson, I did a tribute painting of the Drexciyan Warrior on a wood panel. The title was "Long live Drexciya".

Q: When you did the artwork for Aquanauts what was your instruction, if any or how did you decide to approach it?
A: I was instructed by Mike Banks to take the concept to the next evolutionary level if you will. Since James Stinson's brother was in the Aquanauts, we wanted to keep the same vibe as with Drexciya but change it up slightly.

Q: The central figure in your Third Earth Heroes image on your websites homepage looks very much like a Drexciyan. What today is your personal feeling and opinion about Drexciya's music and legacy?
A: I am amazed by their achievements looking back after all these years. I think Drexciya was the "perfect storm" if you will. A number of elements that converged to make something unique and sublime.

Q: As one of the illustrators of Drexciya's world, even though it was a commercial job, this places yourself amongst the very first artists to be inspired by them to do work. Were you aware that since the death of James Stinson they have had a similar inspirational effect on other artists such as Ellen Gallagher and Kapwani Kiwanga? How does this make you feel about this ongoing process you played your part in?
A: This is amazing as I was just contacted and interviewed by Ms. Kiwanga just a couple of weeks ago. I'm really glad there is such interest in Drexciya and their concept. I'm proud to have been the choice of James to be the artist for Neptune's Lair. What's funny is most people don't realize that Drexciya themselves didn't write the most famous story (myth, legend) that they are known for! It was the Unknown Writer!

Q: What are your current activities and plans for the future?
A: I'm currently finishing up my project of a lifetime. I've written an artbook that tells the story of Detroit Techno and it's legends done in a sci-fi style. I did all new paintings and images for it too. There will also be a CD that features tracks from 6 of the legends in the
book. They are:
Derrick May
James Pennington
Carl Craig
Jeff Mills
Mike Banks
The Martian
I hope when it comes out, I will be able to bring it to your country!

Best regards,
A Qadim Haqq
Techno Visual Artist

Wednesday, October 22, 2014

Visonia album/video

The official video for 'Die Reisen', the collaborative track released at the start of this year by Visonia and Dopplereffekt, can be viewed at this link. It has been up for a long time now but had passed me by. It was directed by Virginie Von Virou who has also worked with Victoria Lukas on videos for Zerkalo, Vita and Weltgeist. The director's Vimeo channel is here. Anyone waiting for the Visonia album, Impossible Romance, which features 'Die Reisen' can expect it in November on Last Known Trajectory. The track has already been available on 12", which according to its Discogs entry, has already been re-pressed. Details and pre-order for album here.

Dopplereffekt currently have one new upcoming live show to my knowledge on 11th Nov in Paris, France. They are also due to play on 22nd Nov in London, England.

After a delay the reissues of Drexciya's Neptune's Lair and Transllusion's The Opening of the Cerebral Gate appear to be close (NL can be ordered now). There is an interesting Pitchfork review of both albums here too

Tuesday, October 14, 2014

Alek Stark remixes

There are two new Heinrich Mueller remixes ('Halo 6' & 'Halo 7') on the latest 12" EP, Titan's Cycle, by Alek Stark on Titan's Halo Records. The EP is not available yet, due on 17th November, but it will be limited to just 100 copies on 180 gram vinyl and 200 copies on clear vinyl. I did find it listed on pre-order at one webstore and it stated that it would be available in June 2014 so I guess this one has been ready to go for sometime now (check this Juno link or try Norman). You can hear all the tracks and both of Mueller's mixes at this Soundcloud link since the end of September. The press blurb on the release is below.

This is my new work for Titan's Halo Records, a very special vinyl EP of five tracks with two versions of the main track, Titan's Cycle, produced by Heinrich Mueller.
Release Date: 1st Oct.
These tracks are simple experiments using the TR808 triggers with the Dot Com Modular, SH101, Oberheim Xpander, Roland System 100/101, Jupiter 6 Europa, Pro One and other vintage synths.
A1. Titan's Cycle 9:38 
A2. Halo 7 (H. Mueller Version) 2:36
B1. 94K 8:43
B2. Methane Rain 3:27
B3. Halo 6 (H. Mueller Version) 5:56
All Tracks Mastered by Alek Stark at Fundamental Audio

Also if you have the time there is a really good Victoria Lukas (Zerkalo) interview and her guest selections archived on the Bass Agenda radio show Soundcloud at this link. Lukas has collaborated with Alek Stark in the past. In the interview she confirms that she and Heinrich Mueller are still working together as Zerkalo (possible album in future) and what else she is up to with her many other musical projects.

Clone Records on Drexciya

There is a very interesting interview with Serge from Clone Records about the history of his label at XLR8R now. Towards the end of the interview he talks a good bit about Drexciya and their Journey of the Deep Sea Dweller series. "But if you want to have the original way how it was presented, you still need the original records. Those contained original stories, and original artwork, all of which are very important parts of the records as well. If you want to have a completely different view of the music of Drexciya, you can listen to the compilations. And, you know, they sound different. We mastered them again and we kept the artwork very minimal so that people can make their own images, and they know about the story that Drexciya had." Loads more quotes on this subject and more at the link above, recommended. Glad to hear that Clone are still going so strong.

The next Dopplereffekt live show is upcoming on 22 Nov in London, England. Details here.

Respect to Mark Bell, legendary electronic producer, who died yesterday.

Sunday, September 28, 2014

Black Replica

The subject or concept of Black Amnesia (Replica) is about the future of the human emotional state, the science and theory of it, dreams versus reality, the impending darkness of the future of the mind, and how we have to face this. Memories and history also play an important part, may we learn from them. Psychological. 

Next year it will be 10 years since I stated DRL so as things are a bit slow with new Drexciya/Mueller news right now I thought it might be a good idea to begin an occasional series where I refer to some of the previous subjects I covered in those early years. First on my list is easily Black Replica who new readers might not even be aware of. This was the first MySpace based collaborative project of Heinrich Mueller which due to its incredible music and that nothing was ever really resolved about it (there were never any physical releases or new information about them other than what they gave us) it has remained very pure and mysterious and, I believe, remains very compelling for many others too. All of these MySpace projects were perfect for me to cover and publicize with DRL at the time and a lot of fun and exciting to try and figure out at the time.

Their page was first launched on MySpace in October 2006 with three incredible songs and was fronted by a still anonymous female. She did appear to go under the name Black Replica though and did do one interview which actually dated from an embryonic period of the group before their songs were even fully completed. This interview can be read at this archival DRL link and the quote above comes from it. About the same time they launched a YouTube account called Paradox Twin to host videos for 'Mathematical Eyes' and 'Twilight Pupil' and later would add one more new song to the player. One of the most surprising things they did was play live with a string of five dates in small clubs in Europe during the first half of 2007. Without Mueller anywhere in sight she appeared solo on stage with a very theatrical show. As she wasn't playing any instruments but had a backing tape it was more like a PA with costume changes and video projections which made me wonder if she was a performance artist of some kind. One of my readers sent me a review of their Swedish date (which was also the very first Dopplereffekt live show which also bizarrely didn't feature Mueller either). We now know that this was also probably the last thing they did until without warning in December 2009 an additional three new songs were added to their player. While again they were very good tracks they may have been leftovers and since then there has been nothing.

About the same time as that nice surprise they removed all images from their MySpace account and also took down the two videos they had made from YouTube (a still from one is above and was their profile pic). Even a fan video I had done for 'Black Feathers' which had been up for two years or more suddenly prompted a short message from their account asking me to please remove it as the song belonged to Dataphysix (Mueller's label and production company). I complied and presume others must have gotten the same request as many of their live videos and otherwise disappeared also around this time. A few live videos do still exist online however and I'm glad they do as this is now our only live record of them, links below. I had already used their images many times on DRL so I had copies of them which I reproduce here but the originals were mostly quite low resolution (they had probably been automatically resized by MySpace when uploaded).

As all of Mueller's other collaborative MySpace projects from this time, Zwischenwelt and Zerkalo and later Gedankenexperiment, all went on to have more conventional releases I have a feeling that they wanted to keep Black Replica separate from this for some reason. Perhaps it was just an experiment with new media, something for the fans and not to be tainted by commerce but this is just speculation on my part.  I got the impression at the time they were really beginning to find their own small fanbase in the dark wave electro scene that was kind of popular in the underground at the time and could easily have continued.

Thankfully all seven of their tracks can still be heard on their player and they are all well worth hearing. I don't know what happened with MySpace since then, it did go through some big changes and became old news pretty fast once Facebook came on the scene. The old accounts which survive are pretty plain looking today and obnoxious MySpace promoting videos tend to pop up on them but please don't let this put you off from checking out Black Replica. Alternately you can use the player to record the songs as MP3s and add them to your iPod or computer as I have. Today after almost 10 years the music has very much endured and I'm quite comfortable to never know what it was all about and would be very surprised indeed if they were ever to reform at this stage. While hard to discover they are not a group easily forgotten, let the mystery continue.

I wrote quite a long piece about them in late 2008 which is a good place to read more details and speculation about the project or if you simply use the search box for Black Replica you will find whatever I wrote about them and more. That all important MySpace player can be accessed at this link. There is a live video with a new track not on the player from Madrid and also a two part video from a show in Gent (here is part 2) and one more from another show which shows a clip from one of the videos as a projection. There are also again plenty of fan videos for tracks from the player if you search YouTube.
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