Saturday, November 26, 2016

Black Replica videos, New Daughter Produkt and Heinrich Mueller's Conic Sections

The Black Replica revival starts here! Someone has shared the two original and still very mysterious and intriguing Black Replica (Heinrich Mueller and a still anonymous woman) videos from 2006 on YouTube. They were removed from the official Paradox Twin account in 2009 and have not been seen since. 'Mathematical Eyes' was actually newly uploaded about a year ago and 'Spider Theory' just 2 months ago. The video quality is lower than the original, which is kind of poetic after 10 years. Its been great to see some of the details of these videos again, as well as hearing the still timeless music. It reminds me so much of the spirit of 2006 when I was just beginning DRL and these MySpace projects came along not long after (incl Zwischenwelt, Zerkalo etc) and gave me so much to write about and share. About 2 years ago I revisited the story of Black Replica in this post.

Here's another blast from Gerald Donald's past, the very unexpected return of Daughter Produkt! A new track by them, 'Direction Asymmetry', is included on Dreamy Harbour, a new compilation of unreleased tracks due on Tresor soon on 3LP and CD. The press blurb says this about it, 'There's also room for a track from Daughter Produkt, a new project from Drexciya's Gerald Donald featuring two vocalists.' See more about Daughter Produkt from the DRL archives here. The project was originally launched in 2007 on MySpace in collaboration with Spanish producer Annie Hall. What next, the return of Noether Symmetry!

Heinrich Mueller was also recently commissioned to create music for an art exhibition, An Image, currently on show in Art Center South Florida, USA. The exhibition website appears to just play one of the sections of the piece, 'Conic Sections, but not all four. More details here, info about his contribution from their website below.

Heinrich Mueller-Dataphysix Renormalon
Conic Sections, 2016
Soundtrack
TRT 30:30 minutes
This audio track, available on the wireless headphones inside
the gallery space and on the website, was produced by Heinrich
Mueller formerly of the Detroit techno group Drexciya. The
piece is divided into four 7 ½ minute movements (1: Plane-Cone
intersection; 2: Circle; 3: Ellipse; and 4: Parabola) that conjure
the image of a plane changing its angle while intersecting with
a cone, and thus generating various corresponding curves.

Arpanet will be playing live in Stockholm, Sweden on 3rd December and on 10th December in Brussels, Belgium.

There is an extremely good mix of only Heinrich Mueller remodels by kroniktronikboy and another great Drexciya themed mix from earlier this year which comes from Irish based producer and DJ Lerosa.

Thursday, November 17, 2016

Heinrich Mueller remodels As One on Brainbox plus much more

There is a new Heinrich Mueller remodel of 'Where Did He Go... And Why', by As One upcoming soon. It can be found on a 6 LP boxset, Brainbox, a compilation due for release on the De:Tuned label on 18th November in an edition of 300. Great to see Mueller working on material by the great Kirk Degiorgio, As One is one of his many aliases. Here is a sample of his remodel of 'Where Did He Go... And Why'. Order record from Juno and other places online.

Just to give you a heads up so you can secure early bird tickets, Dopplereffekt are on the bill for Safe as Milk festival, in Wales, UK, which will run from 21st to 23rd April 2017. More details here.

It looks like there has either been a re-press or a box of them have shown up somewhere, but Drexciya's Hydro Doorways (2000) and Digital Tsunami (2001) EPs, both on Tresor, have shown up. At least two online retailers, Japhy and Juno (see comments for link) have got new copies at reasonable prices anyways.

This is a link to a newly published academic paper, 'DEEP SEA DWELLERS: Drexciya and the Sonic Third Space' by Nettrice R. Gaskins. Abstract below:

'This article addresses the complex conceptual framework of Drexciya, an electronic music duo from Detroit who established an origin myth based on the Middle Passage, the route for ships carrying enslaved African people from one geographical location to another across the Atlantic Ocean. Whereas the origin myth of Plato’s Atlantis ends in a permanent submersion into the sea, the world of Drexciya begins with the creation of an underwater country populated by the unborn children of pregnant African women thrown off of slave ships. Drexciya exists as a sonic third space characterised by embedded myths, the construction of culture and the invention of tradition. I will highlight the development of this sonic fiction that spans several decades, influencing many artists, musicians and scholars, by focusing on the Drexciyan concept of an intercultural, transnational network that shows the movement, migration, or scattering of people away from their homeland, and newly created spaces that transform identities and cultures. This article draws on obscure artist interviews and well-known sources about Drexciya, including essays by Kodwo Eshun and Ben Williams, while advancing the notion of non-physical, sonic islands that sit in spaces between the island and the ocean.'

I was invited by Turn It On to do a mix and decided to do (the first ever) Drexciya Research Lab mix. This was lots of fun, hope you enjoy it here.

This is a new show from France's 'The Beat Radio Show' "dedicated to Gerald Donald of the mythical group of Detroit, DREXCIYA". Some great tracks are selected, new and old.

There is a new 2 hour Gerald Donald special (broadcast live yesterday) made by VLR on their Soundcloud now, so many great tunes together in one amazing mix. 6 years ago VLR did their first 2 hour GD mix, still up on their Soundcloud.

A quality new vinyl only mix by German DJ Morri. "I mixed some of my personal favorite tracks by James Stinson and Gerald Donald aka DREXCIYA to create an underwater journey - dive in and enjoy the real vintage Detroit electro goodness."

Saturday, October 29, 2016

Drexciya interview Melody Maker January 1995



Following on from the previous newly unearthed Drexciya interview (see post below), here is another one! Actually it's part of the same interview between James Stinson and Dave Mothersole and comes from the 'Orbit' section (page 37) of the 14th January 1995 issue of Melody Maker. I had to dive deep into my own collection to find this one (was sure I didn't have it as I have looked for it before) and was so happy to find it waiting there all this time. This is the first time the scan been shared online and I am archiving it here and have transcribed it fully below. It has previously been transcribed by the good folk at Daveg.outer-rim here.

THE UNKNOWN AQUAZONE
The release of Chapter Five in the much sought-after Drexciya series is one of the most anticipated releases of the year. Dave Mothersole is granted a rare ear-bashing from the Detroit team.
Drexciya are not your normal techno act. Having been together for some 10 years, they’ve released just five records. Fiercely independent and highly opinionated, they’re the ultimate perfectionists, working in total secrecy, concealing their identities and discreetly putting out some of the most outstanding, unusual, beautiful and disturbing electronic music ever committed to vinyl.
Their “Journey Home EP”, out this week on Warp, has already been hailed as one of the most important releases of the Nineties.
In a rare interview, one half of Drexcyia, James – he wouldn’t reveal his second name – talks about techno, DJing, the Drexciya philosophy and the fight against the “Caucasian persuasion”.

OFF TO BATTLE
“As far as I’m concerned, there isn’t anybody out there making original Detroit techno – apart from us, and that’s not being arrogant.It’s a plain and simple fact. A lot of people making so-called techno don’t understand where it came from and what it’s all about. I know this stuff; I’ve been doing it for a long time. I’ve been with the real deal, in the trenches, since this shit was born out of the womb. But so many people have come in and stepped over the name of original techno and toned it down. And that’s why were here: it’s time to turn up the heat.”

‘THE CAUCASIAN PERSUASION’
“Ever since the blues and early jazz, black music has been stolen and exploited. It pisses me off that we let it happen. It’s a political thing; everybody talks about it under their breath, but they don’t come out and say anything about it. As far as I’m concerned, Richie Hawtin, Moby, and all the rest of ’em can do what they want, but don’t step into my house if you don’t respect it. Don’t even call what you do ‘techno’! I don’t want to hear anybody saying Richie started any damned thing, ‘cos he ain’t started shit. All he did was step in with his money and his Caucasian persuasion and put himself on the market, and now he’s got all these kids riding his jock. We never had rich backgrounds; we were working jobs for $4.25 an hour. Our mamas never gave us money to buy keyboards and put records out. We work for our stuff. That’s why there’s a big difference in the music.
“Why do Richie and his Plus 8 family come down here and throw parties in downtown Detroit? He brings in all these kids from the suburbs and from Canada, and that shows a lack of respect. I’ve been to every one of those parties and I’ve never heard an Underground Resistance record, a Cybotron record, a Model 500 record or an Eddie Fowlkes record. It’s a total lack of respect, and it’s got to stop.”

DJ HYPE
“Only guys like Leon and Jeff Mills know how to spin. Serious, man, you have DJs who mix sound like a galloping horse. Give ’em a record that doesn’t have a 4/4 beat and they can’t handle it; their fingers get all tied up and they get all confused. C’mon, you gotta know those records. You got to have quick reflexes and make that record talk. Make those turntables work; you got to see smoke coming off those suckers. These guys fly around the world and people call ’em geniuses, and they don’t even warm those decks up – they’re still cold after a whole night. They’re just fader flippers.”

DEEP SEA DWELLERS – THE DREXCIYA PHILOSOPHY
“The reason why we give alot of our tracks aquatic titles is because waves are constantly changing. It moves in so many different directions, and that’s the way we see our music. It doesn’t go straight forward. It takes you on an adventure. We record all our stuff live. You have to capture that moment, that spirit, that energy. We could never recreate one of our records. Every Drexciya record is different. We’re dealing with your personality, your emotions. We try to get you to open your mind up and listen to the sounds, and hopefully then you can paint a picture in your mind. That’s what it’s all about.”

Drexciya 5 , 'The Journey Home EP', is out now on Warp

Friday, October 28, 2016

'Fighting Talk' - James Stinson Muzik interview June 1995


I'm very happy to see that the newly unearthed James Stinson quote above, from the first ever issue of Muzik magazine (June 1995), has caused something of a stir online with 70 shares and almost 250 likes after just 24 hours of being on the DRL Facebook page. You can read the whole issue here (quote on page 75). Initially I wasn't sure where the cutting originally came from (I think the scan first began to appear just a few weeks back on social media) but hoped if I posted it on the FB page first, someone might know and they did (thanks for that). It looks like the journalist, Dave Mothersole, was responsible as he edited the Muzik techno singles page that issue and the Drexciya piece ran underneath. A few months previous to this he also had an interview with James Stinson (where very similar sentiments were expressed) in Melody Maker (January 14th 1995), so this must be more from the same interview (read here).

It's 21 years ago now and it's great to hear James's voice and opinions breaking through so clearly to today's world. I have transcribed the quote below for easier cutting and pasting. 

Muzik Magazine Issue 1 June 1995

James from Drexciya hits out at what he views as the current lack of invention in techno

"Techno was supposed to be about the future, but its been going backwards not forwards over the last couple of years. It's too easy now. People read about what equipment to buy and, because it's so advanced, all they have to do is push a few buttons and they've made a record. There's no focus, no direction, no understanding. It's meant to be an intelligent music form, but the only intelligent thing about it now is the equipment. 

I wish more artists would cut out the sampling and the loops, go back to scratch and programme the shit themselves. I've heard some good ideas, but there are just too many samples. We need sounds we haven't heard before, we need different rhythms and patterns. That's what electro is about. I mean, do you want a fine home cooked meal or do you want to go to some fast food joint and eat a bunch of chemicals and shit?

Too many people focus on what label a record comes out on, rather than what the track actually sounds like. To me, that means there's something wrong. I remember the days when nobody cared if you were on Warner Brothers or Booty Up, just so long as what you were doing was good. When you throw a party, what are you spinning? Are you spinning the middle of a record where all the writing is or are you spinning the wax? You know what I'm saying.  When a group comes to perform, who's up on the stage?  Is it the business people punching their little computers or is it the artists themselves? 

Drexciya won't be putting records out for a while now. We'll still be making music, but not records. We won't allow this form of music to just stop where it's at, but we're not even satisfied with the quality that we are producing. And I have to say that I really wish people wouldn't follow us. Be inspired, sure, but please don't follow. The minute we hear footsteps following us, we switch our style. We'll totally abandon what we're doing. We won't release any records or perform anywhere until things change." 


Monday, October 10, 2016

Dopplereffekt Live, Underwater Montreal Show, Drexciya on UR's 'Cyberwolf' ? and more


There is a very special and unique Drexciya related event being held in Montreal, Canada on 23rd October as part of the RBMA Montréal festival. It's happening in an Olympic sized swimming pool and Dopplereffekt will be playing live and DJ Stingray will be playing what looks like a Drexciya only set. There are other artists on the bill and they will be using underwater speakers and you can be in the water and everything. It all sounds like something Drexciya would have dreamt up themselves, plus it's free. Click here to book tickets and details. Here is the blurb

'A custom-built Wet Sounds soundsystem will diffuse a specially commissioned work by Lorenzo Senni, a live set by Dopplereffekt and an all-Drexciya DJ Stingray set through a network of speakers located under the water, at the surface of the pool and – for those who don’t want to get their feet wet – a dedicated dancing space. We invite you to step inside the Aqua Worm Hole.'

Just before this there is another unique sounding show with Dopplereffekt playing live inside Bristol's Planetarium on 19th October. More details here.

There are two more upcoming Dopplereffekt live shows, one in Amsterdam 22nd October and London on 5th November.

Lastly for now there is a rare Arpanet show scheduled for Edinburgh, Scotland on 25th November.

One of the great things about Drexciya is that even after 20 years and more there are still things to discover about them. One of my readers just spotted that they are mentioned in the label artwork (see comments) for UR's Acid Rain III Meteor Shower 12" from 1993. While I can't hear any Drexciyan type signatures on the track in question, 'Cyberwolf', they must have been involved to some degree if you go by the text. Listen to track on YouTube here and decide for yourself.

"Cyberwolf" -The hunt continues; after landing on asteroid 909, with its liquid nitrogen based eco-system which have for eons been a stronghold of the Drexciyan forces, due to their being the only lifeforms capable of withstanding 909's violent, harsh weather conditions. The resistance teams, with their old allies Drexciya join forces and launch "The Cyberwolf" against the programmers. This hunter, killer designed by "generator" has had great success for the UR forces in their raids against the programmers in the void. Cyberwolf will aid UR's crossing of the asteroid belt by seeking out and destroying enemy probes launched from Jupiter. Launched 02.22.94


This is a link to a new 3 and a half hour radio show about the music of James Stinson and Drexciya. If you can understand Spanish you are in for a treat; the appeal of Drexciya is larger than ever and truly international.

The first recorded interview with Gerald Donald aka Heinrich Mueller can be found on the 'Fireside Chat' series by Red Bull Music Academy Radio. It's from August 2010 and previously it had a different link but now you can find it in full here.

Sometimes you just have to sit back and listen to a master. DJ Stingray with a brilliant new mix, with lots of Drexciya and Mueller tracks. There is also a short interview with him about the mix here.

If you are a fan of Zerkalo, then Victoria Lukas has a solo project, Inkamera, that you will probably really like as well. Last Known Trajectory are releasing, Time Rewind, a six track 12" EP, soon and you can listen to a preview of all the tracks and order it here.

This super smooth track, 'Drexciya Is Playing at My House', is from Beat Detectives 2013 album, Music 2. Available on cassette and download only. Links to purchase and sample its other tracks on Bleep here.

Thursday, August 25, 2016

Zwischenwelt vinyl, Dopplereffekt live shows and more


The much delayed first ever vinyl edition of Zwischenwelt's Paranormale Aktivitat album is available now to order through Clone on their Drexciya related sublabel, Clone Aqualung (also available from Juno). Rephlex originally released it on CD only in 2011 and initially did advertise a vinyl edition, which was never released.

Dopplereffekt have two shows coming up in Australia in September. The Sydney show on 10th September had already been announced but now they will be playing the night before in Melbourne. Xosar from Germany play live support at both nights. The shows are sponsored by Red Bull Music Academy.

It looks like another of the Dopplereffekt Entropy shows is now scheduled for The Hague, Netherlands during the TodaysArt festival from 22nd - 25th September. They are listed as Dopplereffekt + Antivj + scientists and artist-coders [INT]. See link for more details.

Dopplereffekt are also live special guests of Dave Clarke at his Whip It club night at the Melkweg, Amsterdam, Holland on 22nd October. I've always felt that Dave Clarke's inclusion of Dopplereffekt and Elecktroids on his now classic compilation, X-Mix: Electro Boogie, in 1996 must have won them a massive new audience at the time. Nice to see them hooking up again, the show has a really great line-up too. Details and tickets at this link.

By the way, this is a useful link to one of Dopplereffekt's live booking agents, LittleBig. They are listing most of their upcoming dates on their page there.

If you are a fan of Zwischenwelt's Beta Evers you may like her vocal contribution to 'Zunächst' by Italian producer Federico Leocata on his latest 12" of the same name on Central Processing Unit. Listen to all tracks from his EP at this link.

A new and very focused Der Zyklus only DJ mix (2004 and onward) with very high quality audio and loads of rarities, from UK producer DKSD50. Recommended.

Check out 'The Stinson Effect' tribute from the new CN 12" EP, Obscure Fragments, on the Sleepers label. 3rd track in player.

Thursday, July 14, 2016

Heinrich Mueller and Robert Witschakowski on Project STS-31 - Spiralgalaxie


The split album between Heinrich Mueller and Robert Witschakowski aka The Exaltics, Project STS-31 - Spiralgalaxie, that was announced back in April is now available here for pre-order from Solar One Music and you can listen to samples of all the tracks at this link. In the image you can see what a very special and lovingly produced package this is and the various versions it comes in, including a limited Box Set, vinyl and CD. Full details on formats etc and samples of each track are available at this link. While all of the tracks are incredible, from DRL's perspective the Mueller tracks and his aliases are as follows.


Rudolf Klorzeiger - 'Globular Cluster'
Heinrich Mueller - 'Adaptive Optics'
Der Zyklus - 'Ionospheric Delay'
Der Zyklus - 'Ionospheric Delay' (extended) (CD bonus track only)

There is one surprise however as Project STS-31 appears to be a collaboration between Mueller and Witschakowski. The name comes from the Hubble Telescope itself and there are four tracks under this name, 'Density Waves', 'The Super Massive Blackhole', '5000 Light Years Away' and 'Spiralgalaxie'. Full label blurb below, ready to ship about 5th September. If you can't wait that long XLR8R are giving away one of the tracks from it, 'Messier 81' by The Exaltics at this link.

Project STS-31-Spiralgalaxie (Hubble Telescope Series Vol.3) A clash of the Titans! Celebrating Solar One Music's 40th release and 10th anniverary, this split LP sees two stars under various disguises, Heinrich Mueller (aka Der Zyklus and various other projects) and German producer Robert Witschakowski aka The Exaltics, back to back in a no return odyssey through the depths of the Galaxy. Expect nothing but contemplative and cosmic electro beats using original outer-space sounds from the Universe. Closing the Hubble telescope trilogy which brought to you Luxus Varta and more recently E.R.P. (respectively with the "Everything Is Nothing" and "Ancient Light" EP's), trippy "Spiralgalaxie" will mark a new step in SOM's History. As usual, the final chapter of the series dedicated solely to Hubble and all the great scientists and engineers at the NASA and ESA, comes with a beautiful cover print picture taken by the Space Telescope.